Arab madiha

The universe was built on paradoxes that created harmony and rhythem, for that the discours took different forms, to fin dit directly and indirectly under what is known as paradox, which is one of stylistic possibilities which use language in its internal and external context on one side, and imposes on the recipient duplication of listening on the other side. 
       It can also be considered as a kind of contradiction between a direct operative and a hidden meaning.  Narration enter to the theatrical work and gave excellence to
the Algerian work, which examines the dialectical relationship between the narrative components and the elements of theater.  The narration is a type of discourse which is accessible in all literary types, and because theater is a kind of these types, the narration can enter in it, so the researcher seeks to study the narrative presence in theatrical work and he trys to answer this question: to what extent have azzeddin djelaoudji’s works incorporated the artistic characteristics of the theater and narration ? and can the paradox in these works create poetry ?